The Trumpeter Of Saekkingen![]() DER TROMPETER VON SAeKKINGEN. In three acts with a prelude by VICTOR NESSLER. Text by RUDOLF BUNGE after SCHEFFEL'S poem. Seldom in our days is an opera such a complete success in all German theatres, as this composition of Nessler's has proved to be. To tell the truth, it owes its popularity in great degree to the libretto, which has taken so many fine songs and ideas from its universally known and adored original. Nessler's Trompeter is however in every way inferior to Scheffel's celebrated poem. Nevertheless the music, though not very profound is pleasing, and there are several airs in it, which have already become popular. The prelude opens at Heidelberg, where a chorus of students make a great noise after one of their drinking-bouts. They presently serenade the Princess-Electress, and a law-student, named Werner, a foundling and the adopted son of a professor, distinguishes himself by a solo on the trumpet. He is heard by the trumpeter of the Imperial recruiting officers, who tries to win him, but without success, when suddenly the Rector Magnificus appears, to assist the major-domo, and announces to the astounded disturbers of peace, that they are dismissed from the university. Werner, taking a sudden resolution, accepts the press-money from Konradin the trumpeter, marches away with the soldiers, and the prelude is closed. The first act represents a scene at Sakkingen on the Rhine. There is a festival in honor of St. Fridolin, at which young Baroness Maria assists. She is insulted by the peasants and Werner protects her from them. She is much pleased by the noble bearing of the trumpeter, and so is her aunt, the Countess of Wildenstein, who detects a great resemblance between him and her son, who was stolen by gipsies in his childhood.--The second scene takes us into the Baron's room, where we find the gouty old gentleman in rather a bad humor. He is restored to good temper by a letter from his friend, the Count of Wildenstein, who lives separated from his first wife, the above mentioned Countess, and who proposes his son, born in second wedlock, as Maria's husband. The Baron receives Maria kindly, when she relates her adventure and begs him to engage Werner as trumpeter in the castle. At this moment the latter is heard blowing his instrument and the Baron, who has a great predilection for it, bids Werner present himself and at once engages him. In the second act Werner gives lessons on the trumpet to the lovely Maria; of course the young people fall in love with each other, but the Countess watches them, until friend Konradin for once succeeds in drawing her aside, when there follows a glowing declaration of love on both sides. Unhappily it is interrupted by the Countess, who announces her discovery to the Baron. Meanwhile the destined bridegroom has arrived with his father. Damian, that is the young man's name, is a simpleton, and Maria declares at once that she never will be his. But in the presence of the whole company, assembled for a festival, the Baron proclaims Maria Count Damian's bride; to the over-bold Werner he forbids the castle. The last act opens with a siege of the castle by the rebellious peasants. Damian shows himself a coward. In the last extremity they are relieved by Werner, who drives the peasants back with his soldiers. He is wounded in the fray, and while the wound is being dressed, a mole detected on his arm proclaims him the stolen child of Countess Wildenstein. All now ends in joy and happiness; the Baron is willing enough to give his daughter to the brave young nobleman and very glad to be rid of the cowardly Damian. The Three Pintos The Two Grenadiers ![]() ![]() ![]() ![]() ![]() ![]() ![]() Feedback |